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Papers On Music, Film, Television, Theater & Photography
Page 49 of 219
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Charlie Chaplin and The Kid
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This 5 page paper considers the statement that Chaplain “has no knowledge of camera direction. His films are completely theatre”. The writer considers if this is true, and I so whether or not this detracts from the film “The Kid”. The bibliography cites 5 sources.
Filename: TEchapln.rtf
Charlie Chaplin: The Immigrant (1917)
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(6 pp.) There must be few movie-goers who do not
know of the silent film star, Charlie Chaplin. One
of the reasons for that fact, may be that there are
twelve of Chaplin's films made by Mutual Film
Company between 1916 and 1917 that have stayed
popular and are still being shown over the last
eight decades. The writer will examine one of
those films, The Immigrant, and through it look at
the performance style of "The Little Tramp,"
Charlie Chaplin. The writer will also give an o
pinion concerning the film mocking masculinity.
Bibliography lists 6 sources.
Filename: BBchplin.doc
Charlie Parker’s “Lady Be Good” Compared with Miles Davis’
“Boplicity”
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This 5 page report discusses Charlie “Yardbird”
Parker and Miles Davis who were (and still are), inarguably, two
of the greatest performers, composers, and innovators that the
American jazz world has ever experienced. Charlie Parker and his
alto saxophone are considered hallmarks of the original bebop,
even though the music he played repeatedly demonstrated that this
was a musician following his instincts and not necessarily
attempting to create or define any particular “style.” Likewise,
Miles Davis created a musical realm like nothing ever before
heard and like Bird, Miles unashamedly and unhesitatingly did it
his way. Miles Davis played an important part in the early stages
of the progressive, or “cool” jazz that dominated the jazz scene
in the early 1950s. This report compares two of their works. No
bibliography.
Filename: BWmilesd.wps
Cheating in the Paul Newman Film "The Verdict"
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A 5 page paper which examines
cheating, from a moral and ethical position, as it is seen in the Paul Newman film "The
Verdict." Bibliography lists 1 additional source.
Filename: RAverdct.rtf
Cheerleaders and Dancers
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A 3 page paper comparing and contrasting some of the actions of dancers and cheerleaders, written from the perspective that cheerleaders are inferior in every respect. Most larger cheerleading squads interject an interlude of something they call dance into their routines, but the definition of this dance is that it is different in form from throwing friends into the air and then jumping up and down. The cheerleader’s dance is evidence that the language needs at least one more word. Meeting attendees can table an issue or they can leave items on a table as they leave a room. There is as much similarity in those actions as there is in the dance of a dancer and that of a cheerleader. No sources.
Filename: KScheerDance.rtf
Chicago, the Play
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A 4 page research paper that reviews Chicago, the Broadway musical (not the movie). The writer briefly describes the lighting, costumes, and set, but concentrates on a synopsis of the plot, which includes how the production numbers and songs fit into the show. Bibliography lists 3 sources.
Filename: khchipla.rtf
Children in Dramatic Plays
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A 5 page paper which examines the roles of children, and
the treatment of children, in seven different dramatic plays. The plays are "Oedipus,"
"Hamlet," "Antigone," "Madame Butterfly," "Death of a Salesman," "The Glass
Menagerie," and "A Doll's House." No additional sources cited.
Filename: RAchldpl.rtf
Children: Bad Language and Violence on Television
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An 8 page paper which presents
an examination of how bad language and violence on television affects children negatively.
Bibliography lists 15 sources.
Filename: RAyouthtv.wps
Chinatown: The Movie
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6 pages. Produced in 1974, the movie
Chinatown, Roman Polanski's most memorable movie, is considered a
benchmark for its time. Since then, there have been many movies
compared to Chinatown, but it remains a one of a kind film, one
that started the ball rolling for all of Hollywood. Chinatown
had everything then that no other film would touch, including
incest. And the ending was not the usual Hollywood ending all
tied up in pretty ribbon. This paper will focus on what
Chinatown offered and what the critics felt about it then and
still feel about it today. There will be similarities and
differences discussed as well as the main arguments of each, and
the various approaches the critics take will be considered.
Bibliography lists 5 sources.
Filename: JGActown.wps
Chinese Identity Revealed in Ang Lee's Film, "The Wedding Banquet"
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A 9 page paper which examines how Chinese identity is revealed in Ang Lee's 1993 film, "The Wedding Banquet." Specifically considered are how the film negotiates Chinese identity, and how it can both inform as well as complicate the notion of ethnic identity, exile, diaspora, alienation,
hybridity, transnationalism, gender, sexuality, history and memory.
Bibliography lists 12 sources.
Filename: TGwedban.wps
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