French Impressionism vs. Modernism
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A 4 page paper comparing these two art forms. The writer describes how each is different from the other, as well as comparing one of Monet's paintings [Water Lillies] with one of Picasso's [Ma Jolie]. Bibliography cites 6 sources.
Filename: Artcomp.wps

French Provincial Furniture
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5 pages in length. French Provincial furniture originated during the time of Louis XIV. Up until this period, provincial furniture pieces were few and far between; if they did exist, they were constructed very simply. Furniture production of this countrified style began to increase once France established peace throughout the land, with the first of this manufactured furniture borrowing significantly from both Italian ornamentation and Parisian style: precious stones, ivory, mother of pearl or carving. Bibliography lists 7 sources.
Filename: TLCfurni.wps

Freudian Revenant and the Aesthetics of Art
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A 5 page contention that Freudian theory has a diversity of applications to the aesthetics of art. Of these, however, the concept of revenants is perhaps the most obvious in the greatest number of art pieces. While revenants could be a component of any art form, they are most interesting when viewed in terms of human language. Poetry and music, therefore, offer the greatest opportunity to witness the application of one component of Freudian theory on our understanding of the aesthetics of art. Provides an analysis of the poems "Fern Hill" by Dylan Thomas and "Pied Beauty" by Gerard Manley Hopkins as an example of this application. Bibliography lists 4 sources.
Filename: PPfreud2.wps

Frida Kahlo
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This 1 page paper discusses the life of famous Mexican painter Frida Kahlo. The writer analyzes the way Kahlo's paintings represent her life, and the inspiration she offers as a Latin American woman. Bibliography lists one source.
Filename: Frida.wps

Frida Kahlo
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6 pages in length. The unmistakable images of disillusion and torment found within the artistic boundaries of Frida Kahlo's work clearly illustrate one physically and spiritually broken person's struggle to attain some semblance of order to her life. The writer discusses "Self-Portrait With Bed" as it relates to social attitudes and the female image. Bibliography lists 5 sources.
Filename: TLCKahlo.rtf

Frida Kahlo
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This 9 page report discusses the short life of Frida Kahlo (1907-1954) and her remarkable paintings. She created art that has become recognized as some of the most provocative and profound paintings of the 20th century. Her work was generally small and almost always extremely personal. She created numerous self-portraits in a style that was both filled with fantasy and themes of native Mexican art, archaeology, and myth. Bibliography lists 6 sources.
Filename: BWfrida.rtf

Gaugin and the Brooding Woman
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Gaugin and the Brooding Woman: This 10-page report examines one of Paul Gaugin’s most celebrated paintings, The Brooding Woman in terms of its characteristics relevant to gender and societal implications. His life in Tahiti and artistic style are also explored. Coming on the heels of impressionistic art, this painter left a lasting contribution with his untamed relish for solid blocks of color. Bibliography lists 7 sources. SNArtist.doc
Filename: SNArtist.doc

Gaze / Impressionist Flaneur
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An 8 page essay on the gaze of the Impressionists in the urban setting. The writer posits that the Flaneur's gaze was not only artistic but political, particularly in respect to consumerism and changing women's roles. Bibliography lists 6 sources.
Filename: Gaze.wps

Geometric Vases / Male and Female Representation
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An 8 page research paper on the Geometric vase era and how male and female figures were treated by the Greek artists. The writer traces a progression in treatment between the early, middle and late Geometric periods. Some of the art pieces considered include the amphoras and red-figure vases of the Dyplon Master, the Francois Vase, Meneleas and Helen, and the Great Calyx Krater. Bibliography lists 5 sources.
Filename: Cngeomet.wps

George Seurat & Pointillism
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A 6 page research paper that examines the system of painting develop by French Neoimpressionist painter, Georges Seurat (1859-1891). Although Seurat's use of colored dots is usually referred to as 'Pointillism,' Seurat preferred the term 'divisionism.' Pointillism involves using thousands of dots of color that are of uniform size applied with calculated and painstaking control. Seurat controlled the application of these dots so precisely that the subtlest tints were brought under his control. Bibliography lists 6 sources.
Filename: Pointil.wps

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