Renoir: Great Bathers and Eakins:The Swimming Hole
[ send me this paper ]
Renoir painted The Great Bathers from 1884 to 1887. Eakins painted The Swimming Hole in 1883. One was French and Impressionist, the other was American and a Realist painter. This 7 page paper compares and contrasts the two paintings by the two men of the same era. Bibliography lists 3 sources.
Filename: KTreneak.wps

Robert Rauschenburg and Lithography
[ send me this paper ]
(5 pp) As we begin to look at this artist it is necessary to point out, that hardly a more will-o-the-wisp person could have been chosen. Rauschenburg (1925 -)is known for his willingness and daring in exploration of painting and printmaking techniques. To link the man to much more than materials is a tricky thing to do. So we will start from there, and use two words paint and ink, and see where the discussion takes us. Bibliography lists 3 sources, amd 1 visual.
Filename: BBraushb.doc

Rodin's Eternal Spring
[ send me this paper ]
This 7 page paper looks at this sculpture created at the end of the nineteenth century for themes of passion and love. The terms are defined and pointed out in respect to the work. Eternal Spring is explored in depth. Bibliography lists 12 sources.
Filename: SA046ES.wps

Romanesque Art
[ send me this paper ]
The contributions of Marilyn Stokstad are noted in this 8 page paper that focuses on the Romanesque style. The only source for this analysis is her 1988 book Medieval Art in which she focuses on history in interpreting the evolution of various art periods. The roots of Romanesque art are discussed, which include such influences as the Carolingian, Ottonian and Byzantine styles.
Filename: Romart.wps

Romanticism
[ send me this paper ]
A 5 page paper discussing the art of the Romanticism period with the focus resting on two particular artists. The artists examined are Theodore Gericault, considered to be the first true artist of the Romanticism period, and Eugene Delacroix, his follower and the man who essentially took over when Gericault died. The Romantic period of art was a time when art was filled with passion and emotion. The paintings often depicted real, and incredibly violent, events, often giving the people a fresh new perspective on the world around them as well as the art world, where previously all art had been very rigid and unemotional. Bibliography lists 4 sources.
Filename: RAart.wps

Romanticism / The Dark Eye of Beauty
[ send me this paper ]
A 10 page analysis of three paintings-Goya's 'Saturn devouring his son,' Delacroix's 'Death of Sardanapalus,' and Fuseli's 'The Nightmare.' The writer examines how each of these paintings fits a definition of Romanticism written in an essay by Burke in 1755 while also discussing the contributions that each artist made to the Romantic movement. Bibliography lists 4 sources.
Filename: Rompaint.wps

Romanticism Values: Intuition, Emotion, and Imagination.
[ send me this paper ]
(5 pp) "One of the problems of definition is that the Romantics were liberals and conservatives, revolutionaries and reactionaries. Some were preoccupied with God, others were atheistic, to the core. Some, began their lives as devout Catholics, lived as ardent revolutionaries, and died as staunch conservatives. " However, there are some generalities, that the author will discuss, which will give us a rough outline, of that historical period, usually thought of, from 1750 to 1850. Bibliography lists 5 sources.
Filename: BBromval.doc

Salvador Dali: Christian Themes.
[ send me this paper ]
( 10 pp) in 1941, Dalí moved beyond his esoteric, surrealist style in order to make a more universal artistic statement. His interest shifted from personal obsessions to universal themes, and he became fascinated by religion and modern science . Dalí summarized this shift by saying that he intended "to become classic," for, "to be a Surealist forever is like spending your life painting nothing but eyes and noses." Dalí looked back to Classical and Renaissance art for inspiration, while looking forward to the scientific discoveries emerging around him in the 1950s. He desired to be the spokesman for the atomic age, to unite the discoveries of modern science with religion and mysticism. Bibliography lists 7 sources. Bibliography lists 7 sources.
Filename: BBdaliC.doc

Salvador Dali: The Struggle Between Religion and Science
[ send me this paper ]
A 5 page discussion of the influence of God and religion on the surrealistic art of Salvador Dali. Contends that Dali struggled to integrate his spiritual beliefs with his ever-growing interests in sciences. Contrasts his efforts with those of Sigmund Freud and artist like Fyodor Dostoevsky who seemed intent of proving that God did not exist. Bibliography lists 3 sources.
Filename: PPdali.wps

Sandburg's Imagism and Braque's Cubism as the Energy of A New Day:
[ send me this paper ]
A five page paper comparing Carl Sandburg's poem "Chicago" with Georges Braque's painting "Houses at L'Estaque." The paper concludes that both works, in addition to exemplifying the artistic school of Cubism and the literary movement of Imagism, exude the chaotic and noisy energy of the twentieth century. Bibliography lists five sources.
Filename: KBsandbg.wps

The Paper Store Enterprises, Inc. Gladly Accepts:

Request A Free Excerpt From Any Paper Before Ordering!