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Papers On Film & Television
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Comparison of Realism in De Sica’s “Bicycle Thieves” and Eisenstein’s “The Battleship Potemkin”
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This is a 5 page paper discussing realism as found in De Sica’s “Bicycle Thieves” and Eisenstein’s “The Battleship Potemkin”. Vittorio de Sica’s film “Bicycle Thieves” (1948) and Sergei Eisenstein’s “The Battleship Potemkin” (1925) both use various elements of realism in order to portray stories which relate to the realistic lives lived by ordinary citizens during times of turmoil. De Sica’s film takes a personal story of one man in his attempt to live in a time of crime and poverty in Fascist Italy. De Sica’s elements of realism include not only the story of an ordinary man but also the director uses real locations and ordinary people for the roles as opposed to sets and actors, quite a departure from the fantasy films common to the time. Eisenstein in “The Battleship Potemkin” also used many ordinary people and sailors in his film but was careful not to focus on any one individual as he told of the horrid living conditions on the ship and the resulting revolution of the masses of people against the evil force of the government. In addition to using non-actors in much of the film, Eisenstein also uses quite vivid and graphic images in an intellectual montage in order to shock his viewers into the horrors and reality depicted in the film.
Bibliography list 5 sources.
Filename: TJbicyc1.rtf
COMPARISONS BETWEEN DAVID LEAN AND STEVEN SPIELBERG
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This paper discusses the cinematic style and content of films directed by David Lean and Steven Spielberg, and compares and contrasts the two men's works. The paper attempts to demonstrate how Mr. Lean's cinematic style, as reflected in his movies, Great Expectations, The Bridge on the River Kwai and Lawrence of Arabia influenced Mr. Spielberg's later works including Schindler's List. Bibliography lists 2 sources.
Filename: MTleansp.rtf
Computer Generated Animation.
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(5pp) In the late 19th century, advances in
photography and film helped to spur a revolution in
the study and perception of human motion. For the
first time, an individual could slow down time to
a speed at which the different phases of a running
or jumping motion were beautifully clear. Today,
advances in computer animation may add a new
dimension to our ability to understand and
visualize human motion.
Bibliography lists 5 sources.
Filename: BBcompan.doc
Computer Graphics' Future in the Film Industry
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A 10 page paper evaluating whether
computer-generated graphics and special effects is a passing fad in the film industry or is a
young industry poised to take on a lasting presence. The paper discusses aspects of special
effects in Jaws, Titanic, The American President, Casper, Forrest Gump and others; and
notes that the use of available technology allows filmmakers to increase quality while
simultaneously reducing costs. Computer-generated graphics and special effects has passed
the point at which it was at the brink of bringing revolution to filmmaking. It surpassed
novelty status years ago, and now stands to become a standard and integral process of film
production. Bibliography lists 6 sources.
Filename: KScompGrFilm.wps
Conflict Resolution in "The Breakfast Club"
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This 5 page report discusses the 1985 "brat pack" movie The Breakfast Club" from the perspective of social conflict and conflict resolution. Bibliography lists 5 sources.
Filename: Brekclub.wps
Conformity or Chaos – Cultural Clashes in Contemporary Film & Print
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An 8 page paper that examines the choice between conformity or chaos that teenagers and young adults are forced to make under the rules of today's society. Included is an analysis of the character of Sarah Connor in the 1984 James Cameron film Terminator as well as a discussion of Michael Lehmann's 1989 film production of Heathers and Donna Gaines' 1991 publication entitled Teenage Wasteland: Suburbia's Dead End Kids. Bibliography lists 3 sources.
Filename: LCClash.doc
Contemporary American Movies and their Relationship to American Culture
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A seven page paper which looks at the ways in which contemporary American films reflect or satirise modern American culture, including tutorial notes to assist the student in using the paper as the basis for a longer dissertation.
Bibliography lists 9 sources.
Filename: JLammovies.wps
Contemporary Chinese Cinema
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A 6 page paper which considers to what extent the work of new wave directors in Mainland China, Hong Kong and Taiwan reflect on transnational Chinese cinema. Bibliography lists 4 sources.
Filename: TGchicin.rtf
Contemporary Indian Cinema
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A 10 page paper which examines how the industry has grown far beyond its “Bollywood” nickname and considers how it portrays important social issues like sexuality/gender, the caste system, and regaining national identity after imperialism in such films as “Spices,” “Fire,” “Earth,” “The Apu Trilogy,” Monsoon Wedding,” and “The Home and the World.” Bibliography lists 9 sources.
Filename: TGindcin.rtf
Content Analysis and the Authority of Quantification
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This 12 page paper considers the issue of the use of content analysis for studies of science and technology presented in the mass media and suggests that this type of analysis reveals by the choice itself an unnecessary attachment to the apparent authority of quantification. This paper
helps to critically discuss this proposition, especially as it relates
to the impact of quantitative research designs and increasing support
for qualification over content analysis in studies of science and
technology. Bibliography lists 10 sources.
Filename: MHanaly_.wps
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