Diane Keaton's Characters Dealing With Different Ethnic Cultures in "The Godfather" and "Annie Hall"
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An 8 page paper which examines how Diane Keaton's characters deal with different ethnic cultures in the films, "The Godfather" and "Annie Hall," specifically considering how filmmakers Francis Ford Coppola and Woody Allen employ her two characters to provide insight into these cultures. Bibliography lists 6 sources.
Filename: TGgodann.wps

Die Hard and the Myth of Superman
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This five-page-paper presents a comparison of the movie Die Hard , starring Bruce Willis to Umberto Ecos , "Myth of Superman." It opens with a discussion on what the movie is about and moves into a comparison about how it mirrors the myth of Superman. Genres are discussed as well as box office needs. Bibliography lists one source.
Filename: CWdiehard.wps

Differences Between Howard Hawks' Film Adaptation of "The Big Sleep" and Raymond Chandler's Novel
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A 5 page paper which examines the changes Howard Hawks had in his 1946 film adaptation of Raymond Chandler's novel, "The Big Sleep," particularly in terms of figurative language, the transformation from first-person narrative observations to third-person cinema, and how certain scenes had to be improvised and rewritten by screenwriter William Faulkner in the name of dramatic or romantic action. Bibliography lists 6 sources.
Filename: TGbgslp2.wps

Differences in Style of Movie Directors Vincente Minnelli and Stanley Donen
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This 10 page report discusses two of Hollywood’s great movie musical directors in terms of their skills of mise-en-scène, their camera technique, and their effective editing. Some of the most enduring and endearing movies of all time were directed by Vincente Minnelli and Stanley Donen. Minnelli’s “An American in Paris” (1951), “Brigadoon” (1954) created an exotic world where anything can happen to the average American “fella”and with a background of lush color and spontaneous song and dance. Stanley Donen’s “Seven Brides for Seven Brothers” (1954) and “Pajama Game” (1957) set the stage for his many romantic comedies that would follow such as “Funny Face” (1957), “Damn Yankees” (1958), “Two for the Road” (1967) and even episodes for the popular 1980’s television series “Moonlighting.” Bibliography lists 4 sources.
Filename: BWvinmin.wps

Digital Audio Recording
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An 11 page paper tracing the development of digital audio recording and exploring how it works. Digital audio recording arrived in a commercial way in the early 1980s with the development and release of the compact disc (CD). It appears that the CD is only the beginning, however, as digital audio recording continues to progress. It provides convenience, reliability and lower production costs, but it is certain that copyright holders have not yet finished trying to mold its applications into forms most profitable for them. Bibliography lists 5 sources.
Filename: KSdigAudioRec.rtf

Director Tim Burton
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7 pages in length. Tim Burton is truly one of the most unique and misunderstood film directors of all time. Combining the flair of science fiction with the absurdity of reality, Burton has craftily composed some of the most inspiringly humorous filmatic experiences. With such obscure titles as Edward Scissorhands, Ed Wood and Mars Attacks!, the insightful director pokes fun at the human species every chance he gets. Bibliography lists 6 sources.
Filename: TLCburtn.wps

Directors Joseph L. Mankiewicz & Bernardo Bertolucci
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Directors Joseph L. Mankiewicz & Bernardo Bertolucci: This 16-page essay examines films by directors, Joseph Mankiewicz and Bernardo Bertolucci – “Julius Caesar” and “The Conformist” respectively. Contributions by both directors, their underlying motivation, the historical slant of their film versions, their interpretations, political views, and the like are all considered. Bibliography lists 17 sources. SNDirect.doc
Filename: SNDirect.doc

Disney/Ethics in Animation
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A 10 page research paper that takes an overall look at the criticism that has been directed toward Disney studios in recent years. In particular, the writer examines the numerous urban legends that have circulated concerning subliminal sexual messages that are allegedly included in Disney's animated films. Bibliography includes 6 sources.
Filename: khdisney.wps

Documentary Film Practice: The Reflexive Mode of "The Bicycle Thief"
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A 7 page discussion of the dominant organizational patterns in the cinematic process. Discusses the four modes of production identified by Bill Nichols: expository, observational, interactive, and reflexive. Contends that the particulars of Nichols' four modes of production are related to historical circumstance and movement as well and utilizes “The Bicycle Thief” a 1940s film depicting the harsh realities of post-war Italy, to further explore the reflexive mode. Bibliography lists 4 sources.
Filename: PPdocFlm.wps

Does Television Meet Our Needs or Desires?
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A 5 page paper which examines whether or not television meets our basic needs or desires. Bibliography lists 1 source.
Filename: RAtvneed.rtf

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