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Papers On Film & Television
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Cinematic Analysis of M. Night Shyamalan’s “Unbreakable” (2000)
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A 5 page paper which examines the film’s use of mise-en-scene and symbolism. Bibliography lists 4 sources.
Filename: TGunbrek.rtf
Cinematic Analysis of Ridley Scott’s “Blade Runner” and Alex Proyas’ “Dark City” as ‘Dark City Tech Noir Science Fiction’
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A 5 page paper which examines how these films represent hybrids of the generic traditions of science fiction and film noir. Bibliography lists 5 sources.
Filename: TGbrdc.rtf
Cinematic Analysis of Robert Zemeckis’s “Forrest Gump”
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A 14 page paper which examines the 1994 film, particularly concentrating on its innovative uses of cinematography, editing and narrative. Bibliography lists 5 sources.
Filename: TGfgump.rtf
Cinematic and Television Adaptations of William Shakespeare’s “Hamlet,” “Othello” and “King Lear”
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A 6 page paper which examines some big and small screen interpretations of Shakespeare’s most popular tragedies to analyze how they attempt to improve the play, how they can reach more audiences, how the works have to be altered to fit the film format, and considers whether or not this hurts the integrity of the work. Bibliography lists 6 sources.
Filename: TGwsfilm.rtf
Cinematic Interpretations Of Watergate
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5 pages in length. Andrew Fleming's 1999 film entitled Dick and Alan J. Pakula's 1976 All the President's Men each reflect their own individual perception of Watergate's historical importance; however, while Pakula's version serves to reflect the serious nature of such a scandal, Fleming's decidedly lighter portrayal points a satirical finger at not only Pakula's film but also at the overwhelming importance American society has placed upon the unfortunate incident. No additional sources cited.
Filename: TLCwaterG.wps
Cinematic Intertextual Relationship Between Gus Van Sant's "My Own Private Idaho" and Orson Welles' "Chimes At Midnight"
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An 11 page paper which explores how Gus Van Sant incorporated parts of Welles' interpretation of five Shakespeare plays into his contemporary urban
film. Bibliography lists 8 sources.
Filename: TGgvsow.wps
Cinematography in "Citizen Kane"
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A 5 page paper discussing the film's opening scene. This
scene sets the tone and the mood of the entire work. We later see vignettes of Kane's life, but we
already know that regardless of what happens during these scenes, the ultimate truth is that Kane
died alone and in utter poverty in terms of what money cannot buy. The scene tells us there is a
sadness about Kane's life that, regardless of how he may have enjoyed certain moments, it is
always to be overshadowed by that sadness, the same one that caused him to utter the word
"Rosebud" as his last. Bibliography lists 3 sources.
Filename: KSCitKane.wps
Cinematography Style: “Casablanca” and “Citizen Kane”
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A 5 page paper which
compares the cinematography of the films “Casablanca” and “Citizen Kane.”
Bibliography lists 6 sources.
Filename: RAcasab.rtf
Citizen Kane
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A 5 page review of the film Citizen Kane (1941). The writer argues that two themes predominate in this film and are intrinsically connected with Kane's mind and soul, love and power. Summarizing the story, the writer uses examples from Kane's life to argue this point and show why Kane made the choices that he did, which resulted in his tragic life. Bibliography lists 5 sources.
Filename: khkane.rtf
Citizen Kane / Utilitarianism And Individualism
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A 5 page paper that provides an overview of Director Orson Welles' 1941 classic. The writer also considers Welles' characterization of Kane and the way in which this character is developed to embrace both utilitarianism and individualism. No bibliography.
Filename: Kane.wps
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