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Papers On Film & Television
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Children: Bad Language and Violence on Television
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An 8 page paper which presents
an examination of how bad language and violence on television affects children negatively.
Bibliography lists 15 sources.
Filename: RAyouthtv.wps
Chinatown: The Movie
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6 pages. Produced in 1974, the movie
Chinatown, Roman Polanski's most memorable movie, is considered a
benchmark for its time. Since then, there have been many movies
compared to Chinatown, but it remains a one of a kind film, one
that started the ball rolling for all of Hollywood. Chinatown
had everything then that no other film would touch, including
incest. And the ending was not the usual Hollywood ending all
tied up in pretty ribbon. This paper will focus on what
Chinatown offered and what the critics felt about it then and
still feel about it today. There will be similarities and
differences discussed as well as the main arguments of each, and
the various approaches the critics take will be considered.
Bibliography lists 5 sources.
Filename: JGActown.wps
Chinese Identity Revealed in Ang Lee's Film, "The Wedding Banquet"
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A 9 page paper which examines how Chinese identity is revealed in Ang Lee's 1993 film, "The Wedding Banquet." Specifically considered are how the film negotiates Chinese identity, and how it can both inform as well as complicate the notion of ethnic identity, exile, diaspora, alienation,
hybridity, transnationalism, gender, sexuality, history and memory.
Bibliography lists 12 sources.
Filename: TGwedban.wps
Chinese Media/Documentary Film
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A 4 page research paper that examines the Film Australia production "No Sex, No Violence, No News: The Battle to Control China's Airwaves," a documentary produced by Sharon Connolly, Susan Lambert and Stefan Moore. This 2002 film presents in-depth reporting on the functions of television within the developing Chinese capitalist economy. From this documentary, as well as other sources, the image of the Chinese media that emerges is that of a propaganda machine geared for promoting a high degree of consumerism, rather than as a medium for informing the public accurately concerning current events. Bibliography lists 3 sources.
Filename: khchimed.rtf
Christian Allegory in the films of John Ford
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This 5 page paper looks for Christian allegory in four of John Ford's films (Grapes of Wrath, Stagecoach, The Sun Shines Bright and The Fugitive). Various themes are explored. No sources.
Filename: SA216Jon.rtf
Christian Metz
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This 6 page paper considers the life and career of Christian Metz, with a concentration on his contributions to film criticisms. This paper outlines the basic elements of Metz's perspective and the underlying reasons for his influence in recent years. Bibliography lists 5 sources.
Filename: MHMetz.wps
Cinema Verite: “Paradise Lost” and Dorothy Dandridge
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A 3 page paper which first
discusses what cinema verite is and whether or not “Paradise Lost: The Child Murders at
Robin Hood Hills” fits in the category. The paper then discusses the principles of film as
they apply to the story of “Introducing Dorothy Dandridge.” Bibliography lists 2 sources.
Filename: RAverite.rtf
Cinematic Analysis of Baz Luhrmann’s “Moulin Rouge” (2001)
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A 6 page analytical critique that includes plot summary, technical information, symbolism, and a comparison to the 1952 Hollywood musical film, “Singin’ in the Rain.” Bibliography lists 6 sources.
Filename: TGmoulin.rtf
Cinematic Analysis of David Fincher’s “The Fight Club” (1999)
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A 13 page paper which draws somewhat upon feminist film theory to provide a semiological and textual analysis of the film, paying particular attention to how the discourses of gender are played out. Bibliography lists 7 sources.
Filename: TGficlub.rtf
Cinematic Analysis of Kenneth Branagh’s “Much Ado About Nothing” and Baz Luhrmann’s “Romeo and Juliet”
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A 4 page paper which examines how each film uses an unusual choice of setting to reveal new meanings in the respective plays. Bibliography lists 4 sources.
Filename: TGrjmuch.rtf
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