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Papers On Music, Film, Television, Theater & Photography
Page 26 of 171
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Analysis of Kenneth Branagh’s “Hamlet”
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This 4 page report
discusses the well-known actor/director Kenneth Branagh’s 1996,
four-hour movie of “Hamlet.” The report takes the view that
“Hamlet” itself did not translate all that well in director
Branagh’s interpretation. As is typical with any production of
“Hamlet,” it was better than many and less powerful than others.
Bibliography lists 3 sources.
Filename: BWbranag.rtf
Analysis of Milo’s Forman’s “Amadeus”
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A 5 page paper which examines how the director uses Mozart and Salieri’s music as an additional protagonist, the film’s driving conflict, discusses the acting, directing, set design, and costumes as they contribute to the overall quality and also considers if there are any weaknesses in the production. Bibliography lists 3 sources.
Filename: TGamadus.rtf
Analysis of My Left Foot
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This 5 page paper looks at the 1989 film My Left Foot in terms of its emotion-leaden content. How emotion is expressed through art is discussed in light of theorists who have written on the subject. Bibliography lists 4 sources.
Filename: SA130ft.rtf
Analysis of Nora in Henrik Ibsen’s “A Doll’s House”
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A 7 page paper which examines how the character of Nora Helmer has influenced twentieth-century women, considers whether or not she was an early feminist, and the positive and negative aspects of leaving her children. Bibliography lists 3 sources.
Filename: TGnora.rtf
Analysis of Opening Sequence of Francis Ford Coppola’s “Apocalypse Now”
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An 8 page paper which examines how the filmmaker used sound, music and visual mise-en-scene in the first thirty minutes to develop the mood and atmosphere of the Vietnam epic that paralleled Joseph Conrad’s somber novel, “Heart of Darkness.” Bibliography lists 5 sources.
Filename: TGanhod.rtf
Analysis of Sophocles? ?Oedipus the King?
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An 8 page paper which examines the sense of justice exhibited in the play. Bibliography lists 5 sources.
Filename: TGotkjus.rtf
Analysis of the Book and Film Versions of Cormac McCarthy’s “All the Pretty Horses”
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An 8 page paper which compares and contrasts McCarthy’s 1992 novel with director Billy Bob Thornton’s 2000 screen adaptation. Bibliography lists 4 sources.
Filename: TGatph.rtf
Analysis of the First Episode of “The Sopranos”
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This 6 page report discusses the popular HBO television series “The Sopranos” and focuses on the first-ever episode of the series. The unlikely stories surrounding a northern New Jersey mobster and his friends, family, and “associates” is one that is as popular with critics as it is with its millions of fans. it also offers a fascinating opportunity for study of a television narrative and its inter-related meanings in terms of media theory. No sources provided.
Filename: BWepisop.rtf
Analysis of the Relationship Between Brothers Charlie and Raymond Babbitt in “Rain Man”
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This is a 12 page paper discussing the relationship between brothers Raymond and Charlie in “Rain Man”. The story “Rain Man” was originally conceived by Barry Morrow and written as a screenplay by Ronald Bass and Barry Morrow for a movie directed by Barry Levinson and starring Dustin Hoffman as Raymond and Tom Cruise as Charlie. The novel “Rain Man” was written by Leonore Fleischer and based on the screenplay by Bass and Morrow. Regardless of the source, the story involves the developing relationship between the central characters of brothers Charlie and Raymond. Charlie, a self-obsessed, materialistic car salesman who had long since abandoned a relationship with his father discovers that upon his father’s death the inheritance has been left to a brother he never realized he had, Raymond. Raymond, an autistic savant has been institutionalized since he was a child and considered a threat to the young Charlie. Charlie “kidnaps” Raymond from his institution and the remaining story is based on their growing acceptance and relationship as they drive across the country in six days. The development of both characters is unique but dependent on the growth of the other. Charlie becomes more sensitive to Raymond’s needs eventually realizing that he values the relationship with his brother more so than money. Raymond also lessens the restrictions of his routine only to realize that the brother he once believed he had harmed is allowing him freedom to discover new aspects of himself he never knew were possible.
Bibliography lists 4 sources.
Filename: TJRainM1.rtf
Analysis of the “The Heiress”
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This 5 page report discusses the 1949 movie “The Heiress” starring Olivia de Havilland (who won an Oscar for her performance) Montgomery Clift, and Ralph Richardson (who received an Oscar nomination). The movie was directed by the legendary William Wyler (he was also nominated for an Oscar) and demonstrates his great talent in terms of combining all elements of great movie-making from composition and staging to costuming. No additional sources.
Filename: BWheires.rtf
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