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Papers On Music, Film, Television, Theater & Photography
Page 28 of 171
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Animal Farm: From Literature to Film
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A 5 page paper which discusses the movie and
the book "Animal Farm" by George Orwell and addresses why this, and books like
"Bambi" and "Watership Down" are chosen to be movies, how they are altered to become
movies, and why they are altered. Bibliography lists 3 sources.
Filename: RAanimal.wps
Animated Film Version of Grimm’s Fairy Tale, “Snow White and the Seven Dwarfs”
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A 6 page in-depth analysis of Walt Disney’s classic 1937 film. Bibliography lists 6 sources.
Filename: TGsnowhi.rtf
Animations as a Window on the World
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This 5 page paper looks at how the media, and in particular animations can be interpreted as windows on the world. First defining how the media is a window on the world, the paper looks at a range of animations including Disney animations, cartoons such as the Flintstones and the Jetsons, and more recently the Simpsons, films such as Shrek and Monster Inc. as well as Japanese animations, all of which are seen reflecting the world of the time they were created. The bibliography cites 6 sources.
Filename: TEanimat.rtf
Anna And The King
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A 6 page paper. The story of Anna and the King has a long history dating back to 1870 when Anna Leonowens published her first book. This paper discusses the 1999 film version and the book by Elizabeth Hand, entitled Anna and the King: Novelization based on the movie script. The paper discusses whether the story is fact or fiction. The writer then discusses the lessons that can be learned about overcoming cultural diversity from the story. Bibliography lists 7 sources.
Filename: PGanna.rtf
Anton Chekhov and "Uncle Vanya"
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A 5 page paper which examines, briefly, the life
of Anton Chekhov, and then discusses the play "Uncle Vanya," illustrating that he is
perhaps the most likeable character in the play. Bibliography lists 3 additional sources.
Filename: RAvanya.wps
Anton Chekhov's 'The Cherry Orchard': Productions
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8 pages in length. Myriad productions have been created that revolved around Anton Chekhov's The Cherry Orchard; however, time after time each rendering failed to present the play in the comedic style that Chekhov had originally intended. Curiously, even the playwright's own wife did not detect the comedic air to her husband's tale, noting only that she expressed her delight at the play and the tears it evoked. Amazed at how she and all other members of the company could not experience the intended farce, Chekhov finally relinquished his struggle to maintain The Cherry Orchard as a comedy. As such, Stanislavsky's production – the first of its kind – presented a melancholy version. The writer compares Stanislavsky's production with those of Andrei Serban, Peter Brook and Lucian Pintilie.
Bibliography lists 3 sources.
Filename: TLCchekh.wps
Antonia Bird’s 1995 Film, “Priest”
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A 6 page paper which analyzes how the film’s protagonist, Father Greg Pilkington (played by Linus Roache) is prevented from being a Roman Catholic priest by his homosexual affair and how, paradoxically, his affair is prevented by being a Roman Catholic priest. Bibliography lists 3 sources.
Filename: TGpriest.rtf
Aphra Behn’s “The Rover”: Act II Scene II
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A 3 page paper which analyzes Act II
Scene II of Aphra Behn’s play “The Rover.” Bibliography lists 2 sources.
Filename: RAbehnrv.rtf
APOLLONIAN SECURITY VERSUS DIONYSIAN LOVE IN THE MOVIE MOONSTRUCK
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This 5 page paper discusses the characters in the movie Moonstruck (Cher, Nick Cage) and how their characters develop throughout the story. Quotes cited from movie. Bibliography lists 2 sources.
Filename: MBmoonstk.rtf
Archetype in “The Glass Menagerie”
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A 5 page paper which examines the archetypal,
or mythic, qualities in Tennessee Williams’ “The Glass Menagerie.” Bibliography lists 3
additional sources.
Filename: RAglssmy.rtf
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