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Papers On Shakespeare
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Disguise and Deception in Shakespeare's 'King Lear'
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A six page paper looking at these two interrelated themes in Shakespeare's classic tragedy. The paper traces the recurring motif of disguise in the play and shows how it can be used aggressively, to harm or conquer, or defensively, to protect oneself from attack. No additional sources.
Filename: KBlear4.wps
Disguise in Shakespeare's "Twelfth Night"
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A 4 page paper which examines the theme of disguise in Shakespeare's "Twelfth Night." Bibliography lists 2 sources.
Filename: RAshk12.rtf
Disguises and Role Playing in Shakespeare’s “Twelfth Night”
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A 7 page paper which
examines the thematic element of disguises and role playing in Shakespeare’s play
“Twelfth Night.” Bibliography lists 3 additional sources.
Filename: RA12role.rtf
Disillusionment in "Timon of Athens" by William Shakespeare
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In 8 pages the author discusses disillusionment in "The Life of Timon of Athens" by William Shakespeare. This play is a tragedy about a man who was once rich with both friends and wealth. Once Timon has lost his wealth, he also loses his "friends." The recurring theme in "The Life of Timon of Athens" is Timon's disillusionment. Bibliography lists 5 sources.
Filename: PCtoa.wps
Doctor Faustus and MacBeth
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A 10 page paper which examines how the character of
Doctor Faustus is not a character we can sympathize with or even pity, unlike Macbeth
whom we can pity and have sympathy for. No additional sources cited.
Filename: RAmacfst.rtf
Don Pedro and Don John in “Much Ado About Nothing”
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A 3 page paper which
examines the relationship of the brothers Don Pedro and Don John in Shakespeare’s
“Much Ado About Nothing.” Their function in the play is also discussed. No additional
sources cited.
Filename: RAdonjoh.rtf
Doubling of Parts in Shakespeare’s “The Two Noble Kinsmen” and “King Henry VIII”
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This is a 6 page paper describing the opportunities available for the doubling of parts in the William Shakespeare’s “The Two Noble Kinsmen” and “King Henry VIII”. The Shakespearean plays “The Two Noble Kinsmen” and “King Henry VIII” both provide ample opportunities for actors to assume multiple roles. In a relatively small and often touring company of a dozen or so players, the plays both call for up to thirty different parts. While men are mostly distinguished by their beards and women (portrayed by men) are distinguished by their slight builds, smooth faces and dresses, the plays both call for additional demands on dual roles. Luckily, in “The Two Noble Kinsmen” many of the characters introduced in the first scene are robed and veiled allowing for an easy transition back stage into other characters. In “King Henry VIII” many more male characters are needed in addition to the regular group of attendants and guards. Shakespeare provides the audience with detailed descriptions of the lords and dukes’ distinct cloaks or jackets which allow the actors to only place on one garment to assume a particular role. Skilful planning must take place and while many characters enter and exit, both plays only largely require a maximum of a dozen players on the stage at any one time.
Bibliography lists 4 sources.
Filename: TJdoubl1.rtf
Dramatic Irony in "The Dumb Waiter" and "Hamlet"
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A 5 page paper which
discusses the play "The Dumb Waiter," by Harold Pinter, and illustrates its similarities to
Hamlet in regards to dramatic irony. No additional sources cited.
Filename: RAdumbwtr.wps
DRAMATIC IRONY IN SHAKESPEARE’S HAMLET
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This 4 page paper discusses the ironies in Shakespeare's Hamlet, which occur in Acts one and two. Quotes cited from text. Examples given. Bibliography lists 4 sources.
Filename: MBhamiron.rtf
Dramatic Poetry and Direct Prose in Shakespeare’s “Othello”
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A seven page paper analyzing Shakespeare’s use of language in this classic play. The paper shows how “good” characters tend to speak in iambic pentameter and “evil” ones in prose, and demonstrates that as his character degenerates, Othello’s verse style becomes increasingly more prosaic. Bibliography lists nine sources.
Filename: KBothel2.wps
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