Fans as Cultural Producers
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A 10 page paper which examines whether or not it is useful to regard fans as cultural producers in their own right and, if so, how their production might need to be understood differently from that of people in the media industries. Bibliography lists 11 sources.
Filename: TGculpro.rtf

Fashion Photography: Its Relation To Fashion
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7 pages in length. The fashion industry would not exist without the helpful hand of fashion photography. Their work gracing the pages of globally dispersed style magazines, fashion photographers enlighten the world to the season's new trends and old chic. Fashion photography has come a long way since the days of black and white reproduction; indeed, the advent of color photography quickly boosted the fashion industry by providing flair and allure to each season's styles. Bibliography lists 7 sources.
Filename: TLCfashn.wps

Federico Fellini's 'La Dolce Vita' ('The Sweet Life')
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A 5 page paper which discusses the technical and aesthetic aspects of Federico Fellini's landmark film La Dolce Vita (1960), including shots, angles, composition, design, summary, decor, time, space, languages, ideology, symbols and their meanings, and scenes which were especially effective in conveying its message. Bibliography lists 4 sources.
Filename: Dolvita.wps

Female American Film Directors
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This 27 page research paper explores the contributions of women directors to American cinema. Specifically discussed are the films of Lois Weber, Dorothy Arzner, Ida Lupino, Elaine May, Joan Micklin Silver, Claudia Weill and Susan Seidelman and their depiction of male and female characters. Bibliography lists 14 sources.
Filename: Femaldir.wps

Female Film Directors; The Gender Difference
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This 9 page paper examines the position of female directors. The paper argues that today, just as in the past, the only way in which a woman can succeed as a director is to compromise her views in order to comply with male expectations, or find a back door into the industry. This is considered from the first female director Alice Guy Blache up to the modern day. This trend is also seen as a global phenomena and not limited to only the western world. The bibliography cites 5 sources.
Filename: TEwomdir.wps

Female Independence and George Etherege’s “The Man of Mode” and Aphra Behn’s “The Rover”
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This 5 page report discusses two 17th century Restoration comedies that consider the relationships between men and women and the role that each plays, or is assigned to, in their societies. Bibliography lists 4 sources.
Filename: BWapmode.rtf

Female Spectatorship
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5 pages in length. The overwhelming sense of maleness within the early film industry lends itself to the notion of female spectatorship. That men were in complete control of how a film was shot – from the camera angle and perspective to the most subtle nuances pertaining to blocking, dialogue and story line – speaks volumes regarding the intended masculine viewpoint manifested in these productions. Such films as Psycho, Rebecca and All About My Mother clearly portray the overtly masculine perspective, while at the same time only appear to project to the female spectator. This clever masquerade is what has motivated such precedence-setting authors as Laura Mulvey and Betty Friedan to take issue with the manner by which the issue of female spectatorship has been addressed. Bibliography lists 4 sources.
Filename: TLCspect.wps

Feminine and Material Perspectives in Film
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A 6 page paper which examines the feminine perspective and the material perspective in film, as well as one television show. The works discussed in regards to the feminine approach are “Babette’s Feast,” “Top Gun,” “Sanjuro,” and “The Birds.” The materialism perspective discusses “City Lights,” “Citizen Kane,” “O Brother, Where Art Thou,” and the Miami Vice episode titled “Trust Fund Pirates.” Bibliography lists 9 sources.
Filename: RAfilms.rtf

Feminist Film Theories and Alfred Hitchcock’s “Rear Window”
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A 10 page paper which examines how different feminist approaches to film and visual theory are applied to Hitchcock’s 1954 film. Bibliography lists 10 sources.
Filename: TGfemRW.rtf

Film
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A 25 page paper discussing art films and commercial films. Commercial films are described as films which most of the public has access to. They are films which are designed to entertain and uplift. They are also offer a major escape from daily reality. The art film is usually a thought provoking, and often disturbing, piece of work which is not normally available to most of the public. The art films discussed in the paper are easily recognizable in order to enable the reader to better understand the differences. They are films designed to address some concern or reality and are not necessarily hopeful or uplifting. This appear discusses the characters, scenes, plots, public opinion, and realities which are involved in both forms of film. Bibliography lists 15 sources.
Filename: Film.wps

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