The Metropolitan Museum of Art: A Work by George Stubbs
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5 pages in length. An excellent and detailed description of a painting by George Stubbs, using artistic terms in order to describe the composition and workmanship in his paintings, as well as the use of lines, etc.
Filename: JGAartst.wps

The Multi-Dimensional and Interactive Experiences with the Installation and Environmental Art of Anish Kapoor and Franz West
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This is a 6 page paper on installation artists Anish Kapoor and Franz West. Environmental or installation artists Anish Kapoor and Franz West represent the highlights and interactive experiences obtained for gallery visitors through installation art. Installation art or environment art is known as that which encompasses an entire gallery space whether in inside or outside environments. The works of Kapoor and West however, offer the gallery visitor so much more than enormity. Kapoor’s use of curves and spaces take the visitors “through doors” into alternate dimensions through which the visitor can wander and experience. West’s works not only encompass entire spaces but also encourage visitors to interact with his pieces and “step into it, to sit on it, lie on it” and releases the visitors from the usually restrictive mental and physical elements related to gallery exhibitions. Bibliography lists 7 sources.
Filename: TJAKapp1.rtf

The Myths of the Artist: “Lust for Life”
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A 14 page paper which examines the myths that surround the artist Vincent Van Gogh as seen in films such as “Lust for Life.” The presentation of Michelangelo in the film “The Agony and the Ecstasy” is also discussed. Through these discussions the paper also examines the psychological profile of artists and how history has treated such artists. Bibliography lists 4 additional sources.
Filename: RAluslif.rtf

The N.M.A.A. / Smithsonian
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A 2 page overview of the individual galleries and collective exhibits at the National Museum of American Art of the Smithsonian Institute in Washington, D.C. The history and purpose of the Renwick Gallery are examined most closely. No Bibliography.
Filename: Nmaamuse.wps

The Night Cafe in Arles by Vincent Van Gogh
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A 5 page paper that examines the painting “The Night Cafe in Arles” by Vincent Van Gogh. Bibliography lists 1 source.
Filename: RAgogh2.rtf

The Paintings of Joseph Mallord William Turner Contrasted with The Work of Claude Lorraine
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An 8 page analysis of the work of this nineteenth century painter. The author contends that much of Turner’s inspiration came from the classical painters such as Claude Lorraine. Turner’s will, in fact, directed that two of his paintings go to the National Gallery to be displayed alongside Claude’s work. The author asserts that this was both a recognition of the influence Turner had gained from Claude and a final means of painting with light and contrast, a means achieved not within his own canvas but through a side by side exhibit with the work of another painter whose work emphasized different yet similar artistic elements and style. Bibliography lists 5 sources.
Filename: PPartTrn.rtf

The Paintings of Orazio and Artemisia Gentulischi:
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This 5 page paper discusses the artist works of these two artists who are father and daughter. Furthermore, this paper highlights the differences in their works as well as the similarities. Bibliography lists 4 sources.
Filename: GSPaint3.rtf

The Radical Message of Bouguereau’s “Nymphs and a Satyr”
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A 7 page paper on nineteenth century art, looking at this particular painting by Adolphe William Bouguereau. The paper suggests that the painting actually depicts a feminist viewpoint couched in very traditional style, thus making its message palatable to the masses. Bibliography includes two sources (attached).
Filename: KBsatyr.wps

THE REALIST PERIOD
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This 3 page paper discusses the elements of the REalist Period through the work of Manet's Olympia and Flaubert's Madame Bovary. Bibliography lists 2 sources.
Filename: MBrealist.rtf

The Rediscovery Of The Human / The New Physicality In Late Medieval Art & Literature
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A comprehensive, 60 page thesis paper on the transition between what has come to be called in the art field the Romanesque & Gothic periods. The writer asserts, first, that a similar distinction is also present in the literature, and that the Gothic spirit is actually a rediscovery of the physical which had been lost due to the Christian Church's obsession with the spiritual alone. It is ultimately concluded that the transformation of vision that occurred in late medieval ages was the movement from a culture obsessed with becoming divine to a culture more at home in its own humanity. Bibliography lists more than 25 sources.
Filename: Artthes.rtf

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